{"id":286,"date":"2021-04-27T10:00:00","date_gmt":"2021-04-27T14:00:00","guid":{"rendered":"https:\/\/www.dianekolin.com\/?p=286"},"modified":"2022-02-17T19:07:34","modified_gmt":"2022-02-18T00:07:34","slug":"serie-histoire-derriere-no-5-27-avril-2021","status":"publish","type":"post","link":"https:\/\/www.dianekolin.com\/fr\/2021\/04\/serie-histoire-derriere-no-5-27-avril-2021\/","title":{"rendered":"S\u00e9rie \"Histoire derri\u00e8re\" No. 5 - 27 avril 2021"},"content":{"rendered":"<p>Publi\u00e9 dans le groupe Franz Liszt Group, le 27 avril 2021. Si vous voulez savoir comment la s\u00e9rie \"Histoire derri\u00e8re\" est n\u00e9e, je donne des d\u00e9tails dans l'article de la <a href=\"https:\/\/www.dianekolin.com\/fr\/2021\/06\/serie-histoire-derriere-no-1-31-mars-2021\/\">S\u00e9rie \"Histoire derri\u00e8re\" No. 1<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Publication originale (traduction) :<\/p>\n\n\n\n<p><em>Pas de citation, juste la photo et la mention suivantes :<\/em><\/p>\n\n\n\n<p>Franz Liszt, Paris, 1866 (Pierre Petit)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"1024\" src=\"https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-659x1024.jpg\" alt=\"\" class=\"wp-image-287\" srcset=\"https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-659x1024.jpg 659w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-193x300.jpg 193w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-768x1194.jpg 768w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-988x1536.jpg 988w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-300x466.jpg 300w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1-850x1322.jpg 850w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/138441735_10223113654221626_633807864808983382_n-1.jpg 1296w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><\/figure>\n\n\n\n<p>Histoire derri\u00e8re la photographie :<\/p>\n\n\n\n<p>Pour ceux que cela int\u00e9resse, voici l'histoire derri\u00e8re cette photo. En mars 1866, Liszt \u00e9tait \u00e0 Paris. Il avait autoris\u00e9 trois photographes \u00e0 le prendre en photo dans leurs studios respectifs : Ferdinand Mulnier, Erwin Hanfstaengl (dit Erwin, fr\u00e8re de Franz Hanfstaengl et oncle de Edgar Hanfstaengl, qui tous deux \u00e9galement photographi\u00e9 Liszt) et Pierre Petit. Je trouve les clich\u00e9s pris par Erwin et Pierre Petit assez similaires, par contre Liszt a l'air tr\u00e8s s\u00e9rieux (comme \u00e0 son habitude) dans les clich\u00e9s pris par Erwin et un peu plus d\u00e9tendu dans ceux pris par Pierre Petit. Tous deux ont pris des s\u00e9ries de photos, et dans les rares que nous connaissons, Pierre Petit a r\u00e9ussi \u00e0 prendre celle que nous voyons en ce moment, dans laquelle il regarde la cam\u00e9ra. Il regarde g\u00e9n\u00e9ralement \u00e0 droite ou \u00e0 gauche mais jamais dans la direction du photographe. Quant \u00e0 la position d\u00e9tendue, voici une autre photographie prise par Pierre Petit dans la m\u00eame s\u00e9rie de 1866. C'est ce que je veux dire par \"un peu plus d\u00e9tendu\" \ud83d\ude42 . <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"1024\" src=\"https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-792x1024.jpg\" alt=\"\" class=\"wp-image-288\" srcset=\"https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-792x1024.jpg 792w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-232x300.jpg 232w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-768x993.jpg 768w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-300x388.jpg 300w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1-850x1099.jpg 850w, https:\/\/www.dianekolin.com\/wp-content\/uploads\/2021\/06\/1866-6-1.jpg 1000w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Franz Liszt, Paris, 1866 (Pierre Petit). En mars 1866, Liszt \u00e9tait \u00e0 Paris. Il avait autoris\u00e9 trois photographes \u00e0 le prendre en photo dans leurs studios respectifs : Ferdinand Mulnier, Erwin Hanfstaengl (dit Erwin) et Pierre Petit. Je trouve les clich\u00e9s pris par Erwin et Pierre Petit assez similaires, par contre Liszt a l'air tr\u00e8s s\u00e9rieux (comme \u00e0 son habitude) dans les clich\u00e9s pris par Erwin et un peu plus d\u00e9tendu dans ceux pris par Pierre Petit.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-286","post","type-post","status-publish","format-standard","hentry","category-franz-liszt-fr"],"_links":{"self":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/comments?post=286"}],"version-history":[{"count":3,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/286\/revisions"}],"predecessor-version":[{"id":1604,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/286\/revisions\/1604"}],"wp:attachment":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/media?parent=286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/categories?post=286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/tags?post=286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}