{"id":1314,"date":"2021-09-09T11:03:57","date_gmt":"2021-09-09T15:03:57","guid":{"rendered":"https:\/\/www.dianekolin.com\/?p=1314"},"modified":"2022-01-17T14:44:01","modified_gmt":"2022-01-17T19:44:01","slug":"comprendre-les-premieres-marques-de-metronome-le-projet-a-tempo-beethoven-revue-de-lassociation-beethoven-france-no-21-2021","status":"publish","type":"post","link":"https:\/\/www.dianekolin.com\/fr\/2021\/09\/understand-the-early-metronome-markings-the-a-tempo-project-beethoven-revue-de-lassociation-beethoven-france-no-21-2021\/","title":{"rendered":"Comprendre les premi\u00e8res indications m\u00e9tronomiques : Le Projet A Tempo - Beethoven, revue de l'Association Beethoven France n\u00b0 21, 2021"},"content":{"rendered":"

Article en fran\u00e7ais.<\/p>\n\n\n\n

R\u00e9sum\u00e9 :<\/em><\/p>\n\n\n\n

L\u2019article suivant pr\u00e9sente un m\u00e9lange d\u2019histoire de la musique et d\u2019analyse d\u2019extraits musicaux. Les passages orient\u00e9s vers l\u2019interpr\u00e8te, parfois quelques peu techniques, sont ici conserv\u00e9s afin d\u2019offrir la possibilit\u00e9 de tester les hypoth\u00e8ses avanc\u00e9es. Le sujet des premi\u00e8res indications m\u00e9tronomique a toujours \u00e9t\u00e9 une \u00e9nigme de longue date pour les artistes et les chercheurs. Les chefs d\u2019orchestre et musiciens font face \u00e0 la difficile t\u00e2che d\u2019interpr\u00e9tation des tempi d\u2019\u0153uvres du 19\u00e8me si\u00e8cle, contenant des indications m\u00e9tronomique qui semblent incorrectes si l\u2019on se base sur nos normes actuelles. Le pianiste, organiste et compositeur Bernhard Ruchti a \u00e9tudi\u00e9 diff\u00e9rentes hypoth\u00e8ses concernant les premi\u00e8res indications m\u00e9tronomiques et tempi d\u2019origine. La s\u00e9rie de vid\u00e9os qu\u2019il a produites sous le nom de \u00ab Projet A Tempo \u00bb illustre des tempi d\u2019interpr\u00e9tation originaux d\u2019importantes \u0153uvres du 19\u00e8me si\u00e8cle. Sa recherche inclue de pr\u00e9cieuses analyses de partitions et de sources musicologiques telles que des articles de presse concernant des concerts, de la correspondance, des annotations de manuscrits d\u2019origine, et des enregistrements d\u2019\u0153uvres \u00e9tudi\u00e9es. Ruchti illustre l\u2019impact de la vision des indications de tempo sur les concerts d\u2019\u00e9poque et propose un large \u00e9ventail d\u2019explications des interpr\u00e9tations d\u2019indications m\u00e9tronomiques.<\/p>\n\n\n\n

D\u00e9couvrir l'article int\u00e9gral dans la revue \"Beethoven\" de l'Association Beethoven France et Francophonie :
https:\/\/www.beethoven-france.org\/2021\/09\/07\/sommaire-de-la-revue-n21-premier-semestre-2021-134-pages\/<\/a><\/p>\n\n\n\n

Lien vers l'article sur ResearchGate (article complet disponible) :
https:\/\/www.researchgate.net\/publication\/354472899_Comprendre_les_premieres_indications_metronomiques_Le_Projet_A_Tempo<\/a><\/p>\n\n\n\n

\"Couverture<\/figure>","protected":false},"excerpt":{"rendered":"

L'article qui suit pr\u00e9sente un m\u00e9lange d'histoire de la musique et d'analyse d'extraits musicaux. Les passages orient\u00e9s vers l'interpr\u00e8te, parfois un peu techniques, sont conserv\u00e9s ici afin d'offrir la possibilit\u00e9 de tester les hypoth\u00e8ses \u00e9mises. Le sujet des premi\u00e8res indications m\u00e9tronomiques a toujours \u00e9t\u00e9 une \u00e9nigme de longue date pour les artistes et les chercheurs. Les chefs d'orchestre et les musiciens sont confront\u00e9s \u00e0 la t\u00e2che difficile d'interpr\u00e9ter les tempi des \u0153uvres du 19e si\u00e8cle, contenant des indications m\u00e9tronomiques qui semblent incorrectes selon nos normes actuelles.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1314","post","type-post","status-publish","format-standard","hentry","category-ludwig-van-beethoven"],"_links":{"self":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/1314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/comments?post=1314"}],"version-history":[{"count":4,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/1314\/revisions"}],"predecessor-version":[{"id":1497,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/posts\/1314\/revisions\/1497"}],"wp:attachment":[{"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/media?parent=1314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/categories?post=1314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianekolin.com\/fr\/wp-json\/wp\/v2\/tags?post=1314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}